The GCO uses a special sound and microphone set-up designed to create an authentic-to-period sound. Sound is not something we out-source to engineers, it is an integral part of how our music and our act works. Our set up has been tested and proven effective in venues ranging from 50 to over 2000 attendees, both indoors and outdoors.
Because this style of set-up is unfamiliar to most sound engineers, we require final approval over all sound reinforcement decisions.
Please see GCO stage plots and riders below for microphone set-up. For combos please request rider and plot.